Sen's daily

June 30, 2015

“..a building that defies rational thought..”

Arch Daily, June 29, 2015.

The Arch Daily (Architecture Daily) has a good illustrated article on the Bahai Temple (Mashriqu’l-Adhkar) in Chile, which is nearing completion. The writer, Guy Horton, calls it “a building that defies rational thought and veers into the realm of the emotional.”

Going in an entirely unexpected direction, the architects created a form made up of nine “sails” that twist, bend, and curve as they reach up to join an “oculus” at the apex. In the harsh Andean terrain, the building appears to billow and coil lightly as it emerges from its heavy concrete base. The architectural language is at once high-tech and organic, combining digital design and fabrication technologies with the personal sensitivity of craft and the rough imperfections of nature.

“We wanted the building to be about light, but with a more special, ancient quality to it,” says project manager and associate-in-charge Doron Meinhard. “We knew we had to do something special because this building was intended to be a 1,000-year project,” he adds. The “sails” are the embodiment of this approach, maintaining the organic character of the original competition-winning design. The architects and engineers allowed complexity to thrive, expressed in cast glass on the exterior and translucent marble panels on the interior. These two translucent layers follow an intricately webbed space frame structure connected with custom nodes. The only concession to simplification was making each “sail” identical and repeating it nine times.

The design team also stayed away from typical annealed or plate glass, going instead for something that looked and felt more like stone, but still had the visual properties of glass. This ultimately led to a four-year collaborative research process with Canadian glass artist Jeff Goodman. Known for his work with ornate blown glass, Goodman created the original prototype for the custom 1.5-inch-thick patterned glass panels that clad the building. The patterning takes its cues from the work of the American artist Mark Tobey, specifically his “white writing” or “structured light” paintings inspired by Chinese calligraphy and his conversion to the Bahá’i faith early in his career. But there is more to the glass than just the way it looks. Significant temperature swings every day of the year posed expansion and contraction challenges to using typical glass. “We did a lot of testing on the glass,” says Frank Kan, principal at SGH. “This type of cast glass, also known as Pyrex, has less thermal expansion.”

Short link: http://wp.me/pNMoJ-2lz

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